After Love

    After Love
    2016

    Synopsis

    Marie and Boris decide to get a divorce after 15 years of marriage. Tensions rise when cash-strapped Boris must continue to live with Marie and the two children while trying to figure out how to divide the assets.

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      Cast

      • Bérénice BejoMarie
      • Cédric KahnBoris
      • Marthe KellerChristine
      • Catherine SaléeFriend
      • Tibo VandenborreFriend
      • Philippe JeusetteGoran
      • Margaux SoentjensMargaux
      • Jade SoentjensJade
      • Francesco ItalianoAmi
      • Pascal RogardAntoine

      Recommendations

      • 83

        IndieWire

        Even when accounting for its forced and uncertain finale, this is the most poignant and perceptive thing that LaFosse has ever made, and therefore also the most painful.
      • 80

        Empire

        Unapologetically aimed at the arthouse crowd, this is superior filmmaking. Superbly acted and well written, it stakes its claim in the pantheon of love-gone-wrong watches.
      • 80

        The Guardian

        After Love is intelligent, compassionate, challenging film-making.
      • 80

        Total Film

        Joachim Lafosse’s drama is an unsentimentally observed, credibly acted study of a marriage turned sour.
      • 80

        Variety

        In a remarkable performance that at times suggests a desperate animal with nothing to lose, Kahn conveys the fact that Boris’ attachment to Marie hasn’t yet run its course.
      • 75

        The Film Stage

        The meticulous script by Lafosse and his three co-writers prompts the viewer to parse each of their sentences for underlying meaning and backstory, maintaining a necessary level of ambiguity that constantly shifts the perception of who’s in the right and who’s to blame.
      • 70

        The Hollywood Reporter

        Even if the air fizzles out a bit during the denouement, the film still accomplishes what it set out to do, with both Kahn and Bejo aptly shouldering all the narrative weight until the final scene.
      • 63

        Slant Magazine

        The film too often puts too much trust in dialogue, as Marie and Boris's predicament is sometimes perfectly conveyed by the actors' facial expressions and body language.