The Journey

    The Journey
    2017

    Synopsis

    Firebrand Democratic Unionist Party leader Ian Paisley and Sinn Fein politician Martin McGuinness, two implacable enemies in Northern Ireland, are forced to take a short journey together in which they will take the biggest leap of faith and change the course of history.

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    Cast

    • Timothy SpallIan Paisley
    • Colm MeaneyMartin McGuinness
    • Freddie HighmoreJack
    • Toby StephensTony Blair
    • John HurtHarry Patterson
    • Catherine McCormackKate Elgar
    • Ian McElhinneyRory O'Suaird
    • Ian BeattieGerry Adams
    • Barry WardIan Paisley, Jr.
    • Mark LambertBertie Ahern

    Recommendations

    • 70

      Screen Daily

      Although it breaks no new ground, there’s heart, humour, charm and even a little healthy mischief in a film that re-imagines the rapprochement between the two former foes.
    • 70

      Variety

      The Journey, thanks to its buddy-movie structure, is destined to feel a little corny, but the movie gets at something real. It’s a celebration, by two splendid actors, of the art of political theater.
    • 70

      Village Voice

      The film is buoyed by its sharp, witty lead performances, with Spall’s holier-than-thou imperiousness clashing suitably with Meaney’s more affable obstinacy.
    • 63

      Movie Nation

      The Journey‘s wonderful stars — Spall, Meaney, Highmore, a testy Stephens and of course Hurt — make this sentimental saunter go down easily.
    • 60

      Total Film

      Irish politics made accessible with the help of a playful script, two fine performances and 11 years of hindsight.
    • 60

      The New York Times

      Though the script tilts to the didactic, the performances are absolutely delicious, with Mr. Meaney droll and understated and Mr. Spall fiery and derisive, yet not above a joke.
    • 60

      Vox

      The Journey is the rare hopeful political film rooted in both reality and very recent history.
    • 50

      Slant Magazine

      Paisley and McGuinness's intellectual back and forth is rendered so compellingly that one wishes the filmmakers didn’t feel a need to resort to a surfeit of momentum-killing plot contrivances.