Our Souls at Night

    Our Souls at Night
    2017

    Synopsis

    Addie Moore and Louis Waters, a widow and widower, have lived next to each other for years. The pair have almost no relationship, but that all changes when Addie tries to make a connection with her neighbour.

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    Cast

    • Robert RedfordLouis Waters
    • Jane FondaAddie Moore
    • Matthias SchoenaertsGene
    • Iain ArmitageJamie
    • Judy GreerHolly
    • Phyllis SomervilleRuth
    • Bruce DernDorlan
    • John C. AshtonOld Rudy
    • Randy MooreCharlie
    • Audrey WaltersRealtor

    Recommendations

    • 88

      Chicago Sun-Times

      About half the scenes in Our Souls at Night consist of Jane Fonda and Robert Redford simply talking to one another. Those scenes are more exhilarating, more intoxicating and more memorable than many if not most gigantic action sequences in big-budget movies.
    • 80

      The Guardian

      Our Souls at Night is your classic Hollywood weepie, so immaculately played that it confounds crass preconceptions.
    • 80

      The Hollywood Reporter

      Both Redford and Fonda are charming, delicate and convincing as Addie Moore and Louis Waters, the couple who find each other at the tail end of their lives. They are directed with sophistication and without a drop of melodrama or sentimentality by Ritesh Batra
    • 80

      Los Angeles Times

      Made with care and conviction as it explores this unexpected relationship, "Our Souls at Night" understands both what changes in people as they age and what remains the same. It covers quite a bit of emotional territory, and it covers it well.
    • 70

      TheWrap

      There’s nothing particularly world-shaking about Our Souls at Night, but it’s a nice movie about nice people finding love.
    • 70

      Screen Daily

      There’s an air of well-oiled, made-for-TV efficiency about the exercise that extends from Lunchbox director Ritesh Batra’s safe hand on the tiller to Stephen Goldblatt’s golden-light photography.
    • 70

      Variety

      It’s hard to deny that the small screen may be the most natural fit for Batra’s film, given its pleasantly mollified storytelling and blandly unassuming visual style.
    • 67

      IndieWire

      The ending may be strained, but it works its way to just the right sentiment.

    Seen by

    • Danka S. Kojić