Blade of the Immortal

    Blade of the Immortal
    2017

    Synopsis

    Manji, a highly skilled samurai, becomes cursed with immortality after a legendary battle. Haunted by the brutal murder of his sister, Manji knows that only fighting evil will regain his soul. He promises to help a young girl named Rin avenge her parents, who were killed by a group of master swordsmen led by ruthless warrior Anotsu. The mission will change Manji in ways he could never imagine.

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    Cast

    • Takuya KimuraManji
    • Hana SugisakiMachi / Rin Asano
    • Sota FukushiAnotsu Kagehisa
    • Hayato IchiharaShira
    • Erika TodaMakie Otono-Tachibana
    • Kazuki KitamuraSabato Kuroi
    • Chiaki KuriyamaHyakurin
    • Shinnosuke MitsushimaTaito Magatsu
    • Ken KanekoHishiyasu Shido
    • Yōko YamamotoYaobikuni

    Recommendations

    • 80

      The Guardian

      If you are going to see one outlandish and occasionally nauseating bloodbath samurai pic this year, this is the one.
    • 80

      Village Voice

      Come for the gory swordplay, stay for the half-serious melodrama.
    • 75

      Slant Magazine

      Takashi Miike's film is a work of robust genre craftsmanship that's informed with a sly sense of self-interrogation.
    • 75

      Philadelphia Daily News

      The movie also runs 2 hours, 20 minutes, which is a lot of dead samurai. The violence is often numbing, and the translations — the movie is subtitled — are sometimes as deadly as the swordsmanship. On the other hand, Blade of the Immortal is flat-out gorgeous. Widescreen, lush, beautiful.
    • 70

      The Hollywood Reporter

      Miike’s facility for the sharply sketched portrait, in between bouts of bladed mayhem, remains as shrewd as ever.
    • 70

      Screen Daily

      Miike is on fine form, never losing his sense of humour, or sense of character, even as yet another axe is embedded in yet another skull.
    • 70

      Variety

      The story’s supernatural elements enable Miike to take huge liberties with chanbara, the oldest genre in Japanese cinema, and break free from rigid traditions of choreographing swordplay sequences.
    • 70

      The New York Times

      Though not nearly as mindful or meaty as Mr. Miike’s 2011 triumph, 13 Assassins, “Blade” is creatively gory fun.