Miss Bala

    Miss Bala
    2019

    Synopsis

    Gloria finds a power she never knew she had when she is drawn into a dangerous world of cross-border crime. Surviving will require all of her cunning, inventiveness, and strength.

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    Cast

    • Gina RodriguezGloria
    • Ismael Cruz CórdovaLino
    • Aislinn DerbezIsabel
    • Matt LauriaBrian
    • Damián AlcázarChief Saucedo
    • Ricardo AbarcaPollo
    • Cristina RodloSuzu
    • Anthony MackieJimmy
    • Thomas DekkerMakeup Supervisor
    • Barbarella PardoMX Customs Officer

    Recommendations

    • 75

      San Francisco Chronicle

      A real surprise. It seems to promise an exploitative genre movie, about gangsters and drug deals, and it delivers on that, but it’s something more. Director Catherine Hardwicke and screenwriter Gareth Dunnet-Alcocet have taken a Mexican thriller, with a female victim at its center, and have turned it into an intelligent feminist film.
    • 60

      TheWrap

      What this new version forgets, to its detriment, is that Gloria’s strength doesn’t come from finally holding the gun; it comes from being a survivor.
    • 50

      Variety

      Miss Bala no longer serves as a critique of a system that might allow innocent people to get caught in the crossfire of the drug war, but as the kick-ass origin story for a new kind of action hero.
    • 50

      USA Today

      What keeps it all watchable is Rodriguez’s magnetism.
    • 50

      Austin Chronicle

      There are times when it’s funny. There are also times when it beats you over the head with context clues. When the action ramps up, the over-the-top music score seems to stomp its foot and say, “Something is hap-pen-ing!” Certain plot points are overemphasized. It veers toward parody. But it’s also satisfying to see the outcome.
    • 40

      The Hollywood Reporter

      Gareth Dunnet Alcocer's script has a tidy, programmed feel that results in a feel-good version of a grim and sordid modern yarn.
    • 40

      Los Angeles Times

      It’s understandable that Hardwicke didn’t want to mimic her predecessor’s moves. But in chop-chop-chopping the action into standard Hollywood fragments, she has drained the material of its tension, its meaning and its purpose, to say nothing of its beauty.
    • 30

      The New York Times

      This version, in the dreariest Hollywood-remake tradition, turns a grim, morally ambiguous story into a fable of empowerment. That might be kind of fun if it didn’t feel so tired and timid.