Irreplaceable You

    Irreplaceable You
    2018

    Synopsis

    A stunning cancer diagnosis spurs Abbie to seek a future girlfriend for fiancé and childhood sweetheart Sam, who's clueless when it comes to dating.

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      Cast

      • Gugu Mbatha-RawAbbie
      • Michiel HuismanSam
      • Steve CooganMitch
      • Timothy SimonsDominic
      • Jacki WeaverEstelle
      • Kate McKinnonGlass Half Full Kate
      • Christopher WalkenMyron
      • Zach CherryJim
      • Jessie EnnisMelanie
      • Glenn FleshlerMean Phil

      Recommendations

      • 58

        The Playlist

        It would serve its audience better if it paid more attention to a stronger structure and a believable plot, but its flaws don’t keep it from being affecting for those who like their love stories on the lachrymose side.
      • 50

        RogerEbert.com

        The dialogue creates an arch and artificial mood, never sounding like real talk despite the clearly talented actors (Gugu Mbatha-Raw and Michiel Huisman) playing the roles. The film itself seems to be in denial about its own story.
      • 50

        Movie Nation

        The picture just lies there, inert and lifeless, despite the attractive and interesting cast and what must-have-looked like a can’t-miss premise.
      • 40

        The Hollywood Reporter

        Wohl never manages to achieve the proper tonal blend. The result is neither sufficiently funny nor moving, lacking the truly daring humor that might have made the film a bracing dark comedy. It's a shame, considering the estimable ensemble.
      • 30

        Variety

        Gugu Mbatha-Raw is a charming actress who radiates poise and intelligence, which is why Irreplaceable You — in which her character acts in ways that are clearly self-destructive and counterproductive — rings so false.
      • 30

        New York Magazine (Vulture)

        A half-baked tragic love story so desperately engineered to tear-jerk that it ceases to resemble anything human.
      • 30

        Los Angeles Times

        The film's first half is so annoyingly glib and faux-amusing, it sets a misguided tone that distances instead of engages.