Robert the Bruce

Name: Robert the Bruce
Director: Richard Gray
Released: 2019

Richard Gray

2019

Synopsis

In 1306, Scottish King Robert the Bruce turns a defeated outlaw when his country is invaded. But before to free his sacred land, he must manage to regain his will to fight back and survive the persecution of those who want take his head and the English gold.

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Recommendations

75
RogerEbert.com
Robert the Bruce is gorgeously filmed by cinematographer John Garrett, making the most of every exquisitely lit crag of the Scottish countryside.
60
The Guardian
It takes a good hour or so to get going, but then it builds up some watchable spectacle – although Gray goes way overboard with the moody, fireside lighting, and the rousing orchestral score gets all ceilidh-cutesy for the happy montages.
50
The New York Times
There’s a pleasing humility and introspection to this Bruce — a ruler no longer sure if his patriotic purpose is worth the carnage. His joints may be stiffer than his resolve; but, in placing the warrior temporarily aside, Macfadyen and his director have helped us more clearly to see the man.
50
New York Magazine (Vulture)
If I’ve made Robert the Bruce sound laughable, I’ve misrepresented it. It’s not bad at all. Though he is unusually uncharismatic, Macfadyen (who co-wrote the script) is an excellent actor, and Richard Gray directs ably. But that word — “ably.” I never used it before. It’s the bottom of the neutral zone, before you dip into negative territory.
50
Variety
McGowan knows how to invest ire with intelligence, and he has mastered the art of making riding a horse look like a form of strutting. When he’s onscreen, the film vibrates. When you’re watching MacFadyen’s Robert, it swells with nobility and deflates at the same time.
42
The A.V. Club
For an uncertainly paced and fabricated historical side quest, much of Robert The Bruce is painlessly watchable.
42
IndieWire
Robert the Bruce seeks to explore the relationship between a ruler and their people, offering intimacy and personal concern as the best defense against a puppet government. Unlike its namesake, however, this cold and slapdash costume party of a film never figures out how to unite its many scattered parts.
40
Time Out
There are rousing landscape shots, a fair amount of bone-crunching, and a dash of brooding patriotism – and a welcome attempt to look at history from the view of ordinary folk – but the storytelling is downbeat and basic.