Sister Aimee

    Sister Aimee
    2019

    Synopsis

    In 1926 America’s most famous evangelist is a woman. And she’s looking for a way out. Fed up with her own success, she gets swept up in her lover’s daydreams about Mexico and finds herself on a wild road trip towards the border. Based on true events. Mostly made up.

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    Cast

    • Anna Margaret HollymanSister Aimee
    • Michael MosleyKenny
    • Andrea SuarezRey
    • Macon BlairHarold McPherson
    • Amy HargreavesSister Semple
    • Julie WhiteMinnie Kennedy
    • Luce Rains
    • Lee EddyHazel
    • Bill WiseBilly Sunday
    • Nathan ZellnerButch

    Recommendations

    • 75

      New York Post

      It’s not without its quirks (and occasional pacing issues), but Sister Aimee is a true original — apparently, just like its namesake.
    • 70

      Film Threat

      Samantha Buck, Marie Schlingmann bring a light touch and a wonderful comedic tone to a story of one hell of a woman. This is a lighthearted comedy about resourceful females far ahead of their time.
    • 67

      Austin Chronicle

      Sister Aimee is a scrappy period piece that supplants the things a bigger budget might have afforded with good choices about things that were under the filmmakers’ control.
    • 60

      Los Angeles Times

      The filmmakers sometimes fail to follow through on the more interesting parts of their story, but a novel approach to the material mostly compensates for the drier stretches.
    • 50

      The New York Times

      A weird, erratic and occasionally insightful experiment that, unlike its indefatigable star, never quite finds its zing.
    • 50

      TheWrap

      The gendered themes at play here do little to boost the quality of Buck and Schlingmann’s storytelling, which is too tangled to follow at times.
    • 50

      The Hollywood Reporter

      Although written as a supporting role, Suarez Paz’s portrayal of Rey adds depth to the story and ultimately carries the film. So much so that you wish the movie had been about her.
    • 30

      Variety

      Unfortunately, the invention on display is of a helter-skelter variety, as Samantha Buck and Marie Schlingmann’s film so madly lurches about in search of a tone that it feels like the first draft of a gonzo faux-biopic.