The Secrets We Keep

    The Secrets We Keep
    2020

    Synopsis

    In post-World War II America, a woman, rebuilding her life in the suburbs with her husband, kidnaps her neighbor and seeks vengeance for the heinous war crimes she believes he committed against her.

    Your Movie Library

    Cast

    • Noomi RapaceMaja
    • Joel KinnamanThomas
    • Chris MessinaLewis
    • Amy SeimetzRachel
    • Victoria HillClaire
    • Lucy FaustPatricia
    • David MaldonadoOfficer Brouwer
    • Ritchie MontgomeryMitchell
    • Ed AmatrudoDr. Sonnderquist
    • Jeff PopeJim White

    Recommendations

    • 78

      Austin Chronicle

      With a small cast and a handful of locations – the only other character of note is Rachel (Seimetz), Thomas’ unsuspecting wife – The Secrets We Keep blends the best of B-movie thrillers and black box theatre.
    • 70

      Los Angeles Times

      The genre elements are nicely balanced by the adult drama embodied in the lead quartet’s performances, especially Rapace’s turn that is part femme fatale, part damaged soul.
    • 63

      Slant Magazine

      The film is ultimately too tidy to embrace anything truly startling or unexpected, either stylistically or narratively.
    • 60

      The Hollywood Reporter

      A dramatic thriller tackling serious themes — the aftermath of war, the cost of retribution and the possibility of redemption — the movie can't always get out of its own way, as reliably effective as Rapace is.
    • 60

      Variety

      This “Death and the Maiden”-like suspense drama is neither fully convincing nor particularly original, its narrative running a course that feels somewhat predictable from the outset. But it’s still strong enough to be effective.
    • 50

      The Film Stage

      The Secrets We Keep is a film in search of a more coherent message.
    • 42

      Entertainment Weekly

      For the most part, though, these secrets aren't worth passing along.
    • 40

      TheWrap

      What grates about director Yuval Adler and his co-writer Ryan Covington pilfering so obviously from Dorfman’s work is that they haven’t done anything particularly interesting with it.