Everybody’s Everything

    Everybody’s Everything


    The story of artist Lil Peep from his birth in Long Island and meteoric rise as a genre blending pop star & style icon, to his death due to an accidental opioid overdose in Arizona at just 21 years of age.

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      • 83

        The Playlist

        “Everybody’s Everything” is a loving tribute for fans as well as those unfamiliar. And for the latter, the doc truly creates a sense of humanity, awe, and undeniable raw talent that it makes it easy to why his music connected with so many people in such a quick amount time.
      • 83

        The Film Stage

        It’s a film full of highs and lows, sorrow and recollection, fun and political ideology–a mess, but one that feels authentic and accurate.
      • 75


        Unsurprisingly, Everybody’s Everything feels most conventional during its talking-head interviews, an aesthetic shared with almost every other music documentary out there. ... But when the film shows rather than telling, it’s clear that there are no easy answers for this kind of tragedy.
      • 75


        Much like its subject, the film is beautiful, compelling, hard to watch, and spread too thin to stay with us for long.
      • 70

        New York Magazine (Vulture)

        The film ... is more emotional than definitive; stopping just short of bestowing sainthood on the artist, but still aiming for something a little more cosmic than reportorial. This is not a “what really happened” exposé of his death, nor is it an academic postmortem on Peep’s musical or cultural legacy. It’s most effective as a character study.
      • 70


        The only perspective that’s missing here is that of Peep himself, and that hole at the center of the narrative gives the film a haunting impact.
      • 70

        Los Angeles Times

        Devotees will appreciate a different look at their fallen idol, while those who aren’t familiar with his music might find the film a bit long at nearly two hours but will see what the appeal was to those who loved him.
      • 70

        The New York Times

        An engaging account of Peep’s life and the alt-music scene.