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    Close
    2022

    Synopsis

    Thirteen-year-olds Léo and Rémi have always been close, but they drift apart after the intimacy of their relationship is questioned by schoolmates.

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    Cast

    • Eden DambrineLéo
    • Gustav De WaeleRémi
    • Émilie DequenneSophie
    • Léa DruckerNathalie
    • Igor van DesselCharlie
    • Kevin JanssensPeter
    • Marc WeissYves
    • Léon BatailleBaptiste
    • Serine AyariCéline
    • Robin KeyaertThomas

    Recommendations

    • 100

      The Telegraph

      Close is a great film about friendship, but perhaps an even greater one about being alone.
    • 91

      The Playlist

      Dhont, who displayed an impressive artistic vision with his feature and slightly problematic debut “Girl,” has pulled off something miraculous with his sophomore effort.
    • 90

      The Hollywood Reporter

      Dhont and his team know just how to turn up the emotional dials with stunning magic-hour lensing that gives golden-haired Dambrine a halo of backlit suffering as he stands in fields of nodding dahlias, that most gloriously domestic and benevolent flower.
    • 90

      Screen Daily

      The combination of knock out performances, in particular from newcomer Eden Dambrine as Léo, and direction of uncommon sensitivity from Dhont makes for a picture which is intimate in scope but which packs a considerable emotional wallop.
    • 90

      Slashfilm

      Close is a story about growing up and losing those wondrous childhood relationships forever, but it's far more than that. It's a tender glimpse of loss on an unimaginable scale, told through the lens of a young boy trying to make sense of it all.
    • 80

      The Guardian

      There’s no doubting the force of this drenchingly sad story.
    • 80

      Total Film

      Guileless performances, understated direction and bucolic Belgian scenery combine to create a quiet gem of a film.
    • 67

      IndieWire

      Beautiful as Dhont’s eye for detail can be, and vital as his willingness to explore the unbearably tender pockets of adolescence often proves here, Close still finds its sensitive — if sometimes borderline sadistic — young filmmaker defaulting to universal pain whenever he fears that more personal feelings may be too poignantly ethereal to see on camera.

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