Stardust

    Stardust
    2020

    Synopsis

    David Bowie went to America for the first time to promote his third album, The Man Who Sold the World. There, he embarked on a coast-to-coast publicity tour. During this tour, Bowie came up with the idea of his iconic Ziggy Stardust character, inspired by artists like Iggy Pop and Lou Reed.

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    Cast

    • Johnny FlynnDavid Bowie
    • Jena MaloneAngie Bowie
    • Marc MaronRon Oberman
    • Anthony FlanaganDr. Reynolds
    • Lara HellerJemima
    • Roanna CochraneCharlotte Banks
    • Jorja CadenceJune Bolan
    • Brendan J. RowlandTony Visconti
    • Olivia CarruthersPeggy
    • Drew MossRadio Technician

    Recommendations

    • 58

      IndieWire

      While there are flashes of originality in the film’s script — which quite artfully builds on Bowie’s worries with a distinctly personal edge — most of it is relatively straightforward, never as psychedelic or sophisticated as its opening shot, which finds Flynn stuck in spacesuit and unable to engage with the world around him.
    • 50

      The Hollywood Reporter

      Stardust is a mostly listless odyssey, its lack of excitement compounded by the absence of Bowie's music.
    • 50

      Variety

      The movie gives us only a small taste of it, but it’s enough to whet your appetite: for a Bowie biopic that captures this cracked actor in all his funhouse-mirror rock ‘n’ roll glory.
    • 50

      The Globe and Mail (Toronto)

      Because while Stardust covers the period of Bowie’s life just before he released his breakthrough 1972 album, the film doesn’t feature a single track from the record. Or any Bowie music at all.
    • 50

      IGN

      Ultimately, it's bland, not bold, and achingly absent of enchantment.
    • 48

      TheWrap

      Flynn’s ferocious commitment to the role is something to admire, even if we’re not completely convinced.
    • 40

      Los Angeles Times

      The new David Bowie biopic Stardust could be marketed as “Bowie as you’ve never seen him,” but it feels like “Bowie as no one ever saw him.”
    • 30

      The New York Times

      The director, Gabriel Range, who wrote the movie with Christopher Bell, opted to press on, even after he was denied permission to use Bowie’s songs. They might not have helped much, however.