Synopsis
Hours after the tragic death of their youngest brother in unexplained circumstances, three siblings have their lives thrown into chaos.
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Cast
- 100
New York Magazine (Vulture)
Its subject is timely but its presentation is timeless — it’s a war movie, a family drama, a Greek tragedy. - 91
The Playlist
Especially after the film’s stunning conclusion, Athena is destined to leave jaws on the floor and heart rates significantly elevated long after the credits roll. This is the painful, perilous present tense written in the flash of a smartphone camera and the blaze of a Molotov cocktail. - 90
Rolling Stone
It’s a movie that utilizes every bit of Gavras’ abundant chops and marshals them to make a coherent statement, tapping brains and heart and spleen in the name of forcing you to recognize what he’s putting in front of you. - 83
The Film Stage
Gavras, for better and worse, is a creature of spectacle; not apolitical, per se, but more concerned with triggers and semiotics than manifestos. - 80
Variety
The result is nothing short of an urban war movie, as charismatic characters decide to do something about the outrage people have been expressing toward law enforcement in the real world. - 80
The Hollywood Reporter
While the film’s emphatic style can become draining, and its attention to technique risks overshadowing the interpersonal drama, there’s an operatic grandeur here that won’t quit, giving the constantly escalating violence considerable power. - 75
TheWrap
Within the first few minutes of Athena, it’s clear this is propulsive filmmaking with thematic substance. - 60
The Guardian
It’s spectacular and immersive, with a sensational opening. But it gets bogged down in its own one-note, one-tempo uproar and open-ended parkour camerawork – impressive though that is – and suffers from a number of sneaky false-flag get-out clauses that feel like a cop-out.